Top Must-See Pavilions at the Arsenale: A Guide for Art Enthusiasts



Italy’s Massimo Bartolini has transformed the largest pavilion in the Arsenale into a unique sensory experience. Using sound and scaffolding, Bartolini creates an industrial garden maze filled with handmade organ pipes that play haunting music. The Italian pavilion offers a space for rest and introspection amidst the bustling Biennale.

Malta’s pavilion, featuring Matthew Attard’s “I Will Follow the Ship,” explores the intersection of technology and history through eye-tracking technology. Attard reimagines ship graffiti from Malta’s past, connecting it to our modern reliance on technology.

Lebanon’s Mounira Al Solh challenges traditional narratives with “A Dance with her Myth,” a humorous take on the myth of Europa and Zeus. The show incorporates colourful collages and films that seek to redefine this ancient tale.

Senegal’s debut at the Biennale captivates with a wall work portraying contrasting scenes in intricate calligraphic detail. The installation speaks to the power of connection and the need to come together.

Iceland’s pavilion by Hildigunnur Birgisdóttir blurs the lines between art and branding, inviting visitors to explore the space through a unique lens. The installation is full of subtleties and surprises, offering a fresh perspective on the relationship between art and commerce.

Luxembourg’s pavilion presents “A Comparative Dialogue Act,” featuring performances rehearsed and staged in the Arsenale space. The immersive experience invites visitors to witness the creation of art in real-time, highlighting the collaborative and experimental nature of the exhibition.



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