Is the Royal Academy’s ‘Entangled Pasts’ Exhibition Radical? A Review
The Royal Academy’s exhibition “Entangled Pasts, 1769-now: Art, Colonialism and Change” challenges the historical role of the institution in supporting Empire and white supremacy. Featuring both past and contemporary artists of color, the exhibition explores the erasure of voices from the past and subverts traditional European portrayals of nobility. The show, which addresses the aftermath of George Floyd’s murder, is a radical step for the RA in acknowledging its complicity in Britain’s imperial past. However, the need for more solo exhibitions for prominent artists like Yinka Shonibare is highlighted. “Entangled Pasts” serves as a wake-up call for institutions to present a more honest view of their histories and responsibilities.
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Naz Baydar graduated from Middle East Technical University with a degree in Product Design. She furthered her education by completing a master’s degree in Art Direction at Elisava in Barcelona. Her work blends art direction, multimedia narratives, and design to craft innovative and transformative experiences. Naz is passionate about creating visual stories that evoke strong emotions and deliver meaningful impact. In addition to her work, she has a deep interest in philosophy and literature, which continuously inspire and enrich her creative process.