Jenny Holzer explores post-internet themes at Guggenheim exhibition
Jenny Holzer’s latest exhibition, “Light Line,” at the Solomon R. Guggenheim Museum in New York presents a half-hearted exploration of her iconic text-based practice. The show features a resurrected LED work that spans the museum’s spiral, showcasing familiar phrases in a new format. While the use of AI in creating decorative animations adds a modern touch, it falls short of utilizing the technology to its full potential. The exhibition also includes neon-colored posters of Holzer’s “Inflammatory Essays” series, graffiti interventions, and large-scale paintings of redacted documents. The show culminates in sparkling canvases featuring minimalist bot-like shapes, created using AI-generated imagery. The exhibition, while showcasing Holzer’s signature cynicism, struggles to resonate in the fast-paced world of social media and news feeds. Despite her attempts to combat transience, the show may not fully engage younger audiences immersed in the digital landscape.
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Leonie Schultz completed her studies in Digital Media and Design at the Berlin University of the Arts. She focuses on digital installations and interactive art, often incorporating elements of sound and light to create immersive experiences. Leonie has been involved in several digital art festivals and is known for her innovative approach to storytelling through technology.