Adjustments welcomed at TEFAF Maastricht: A Look at the Art Market



The European Fine Art Fair (Tefaf) in Maastricht is a prestigious event that showcases 7,000 years of art history. The 37th edition of the fair featured a new Focus section, allowing galleries to present single-artist exhibitions and creating a more consolidated and refined experience. Despite challenges such as macro-economic uncertainty and geopolitical tensions, the fair opened to a positive reception with high visitor numbers and increased interest from international collectors and museum groups.

Key highlights of this year’s fair included works such as Anthony van Dyck’s “Portrait of a Carmelite Monk” and Giambologna’s “Striding Mars”. Additionally, a collection of works by Edvard Munch and Vincent van Gogh’s “Tête de paysanne à la coiffe blanche” were among the crowd favorites. Female Old Masters’ works also garnered attention, with acquisitions like Gesina ter Borch’s “Portrait of Moses ter Borch” and Artemisia Gentileschi’s “The Penitent Magdalene.”

The fair’s new Focus section received positive feedback, with curated displays like Paolo Pallucco’s sculptural chairs attracting collectors of contemporary works. Dealers also appreciated the emphasis on trade brought about by the fair’s reduced duration. While some remained skeptical about the impact of the shorter schedule, early sales and engagement from younger collectors indicated a positive trend for the future of Tefaf Maastricht.

Overall, the fair’s strategic changes and continued focus on quality art offerings seem to be aligning well with the evolving art market landscape. The successful execution of the 37th edition bodes well for Tefaf’s continued relevance and appeal to a diverse range of collectors and enthusiasts.

[Source: Tefaf Maastricht, until 14 March, MECC Maastricht, The Netherlands]



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